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Chapter 4: The Descent at King Street

The Anchored Dead

Chapter 4: The Descent at King Street

← Terry Farland / The Anchored Dead

The air inside the darkroom grew colder still, thick with the stench of stagnant brackish water. Caleb unbuttoned his heavy coat and drew an iron lantern from his belt, lighting its wick with a lucifer match. The yellow flame sputtered against the dampness before settling into a dull, flicking glow.

"We go down through the publican’s cellar," Caleb said, his jaw set tight. "If those old channels are filling from the bay, we’ll see where it’s coming from."

Arthur picked up his camera case, slipping three unexposed glass plates wrapped in black velvet into his leather satchel alongside a tin of magnesium powder. He did not know why he took them, only that the camera had revealed the anomaly first—and if the silver on the glass was the bridge, he dared not leave it behind for someone else to disturb.

They left the lodging house and descended the steep, slippery cobbles of King Street. The fog had turned into a fine, clinging drizzle that made the flagstones gleam like grease. The village was unnaturally quiet. Doors were bolted fast against the sea fret, and oil lamps burned low in upper windows, casting jaundiced smears of light into the gloom.

At the bottom of the lane, the heavy oak door of the Bay Hotel stood ajar. Inside, the publican, a squat man named Higgins, stood at the top of the cellar stairs holding a wooden pitch-fork as if expecting a thief.

"It’s rising, Caleb," Higgins called out, his voice cracked with panic. "Two inches since you left. And the noise... listen to it."

Arthur stepped onto the threshold and listened. Beneath the hum of the rising tide outside the sea wall came a wet, hollow churning—the sound of water being displaced in a confined stone space, accompanied by the distinct, rhythmic clink-clank of iron scraping against shale.

Caleb raised his lantern and began descending the stone steps into the dark beneath the inn. Arthur followed, his boots slipping on the slime-coated steps.

The air in the cellar hit them like a wet sheet. The cellar floor was entirely submerged under a foot of black, motionless water. Crates of spirits and wooden barrels floated lazily in the corners, bumping against the masonry with soft, dead thuds.

Caleb waded out into the brine, the water reaching mid-calf. "The old drain lies through that arch," he said, pointing his lantern toward a low, round-headed stone archway at the back of the coal bin. "It runs straight down to the beach head, right beneath the Slipway."

Arthur stepped into the freezing water. The cold was immediate and punishing, soaking through his leather boots and numbing his ankles within seconds. He held his camera satchel high above his waist.

As they reached the stone archway, Caleb held the lantern high. Beyond lay a narrow, hand-carved tunnel, cut through the dark alum shale over a century ago by local smugglers. The ceiling was low, dripping with long, pale stalactites of lime, and the walls were slick with black sea-silt.

The water here was not motionless. It pulsed in slow, heavy thrusts, pushing up from the darkness toward the village.

"Look there," Arthur whispered, pointing to the water’s surface.

Rising from the black liquid were tiny, persistent bubbles of gas that burst with a faint hissed sigh, releasing more of the dead sea smell. Floating amidst the foam were thick, dark fronds of deep-water kelp—the kind that grew only on the submerged ledges of the Bay Scars, far below the reach of the lowest spring tide.

"Something's pulled it up from the bottom," Caleb muttered.

They edged deeper into the tunnel, the stone walls narrowing until their shoulders brushed the damp shale. Ten yards in, the channel took a sharp downward turn toward the beach.

Here, Caleb stopped. The lantern light reflected off something metallic lying wedged in the silt at the base of a stone pillar.

Arthur leaned forward, his heart cold.

Lying half-submerged in the black water was a single, massive link of wrought iron. It was five inches thick, coated in a thick, velvety moss of rust and barnacles. Attached to it was another link, and another, stretching down into the black water that filled the lower curve of the tunnel.

It was an anchor chain.

Not a rusty fragment left behind by wreckers, but an active, tensioned chain. As they watched, the iron link twitched. With an agonizing, metallic groan that vibrated through the stone beneath their feet, the chain was drawn two inches deeper into the tunnel wall, scraping a white furrow into the ancient shale.

"It's pulling," Caleb breathed, backing away. "It's pulling the ship toward the land."

A sudden sound echoed from the dark bend ahead—the wet, heavy slap of bare feet wading through the flooded passage.

Slap. Slap. Slap.

The water around Arthur’s knees began to churn. Out of the darkness beyond the archway, where the lantern light failed to reach, a pale shape drifted into view just beneath the surface of the brine.

It was a man's face, staring upward through six inches of black sea water. The eyes were open, glazed with a milky film, and the mouth was fixed in a wide, silent gape filled with gray silt.

"Caleb," Arthur choked out, reaching for the constable's coat.

The face shifted. The lips parted slightly, and a single, heavy bubble of air rose from the mouth, popping on the surface between Arthur's boots.


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Terry Farland

About Terry Farland

Terry Farland writes gothic fiction set on the North Sea coast. His work draws on the photography, fishing and folklore of Yorkshire's coastal villages, and the uneasy line between what the camera records and what the sea returns. The Anchored Dead is his first novel for Tales From A Harrogate Caravan.

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