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Chapter 18: The Unbroken Thread

The Anchored Dead

Chapter 18: The Unbroken Thread

← Terry Farland / The Anchored Dead

That night, a storm broke over the Yorkshire wolds, driving heavy sleet against the high windows of Arthur's lodging house.

Arthur sat at his wooden desk, a single tallow candle burning beside his notebook. Opposite him sat Caleb, his coat dripping onto the rag-rug, a heavy iron crowbar resting across his knees.

"We can't hunt down a hundred glass plates across England, Arthur," Caleb said, his voice heavy with fatigue. "We're a parish constable and a photographer's assistant. If this dealer sold them to studios in Leeds..."

"They won't know what they have," Arthur said, staring at the candle flame. "They'll think the shadows on the glass are flaws in the chemical bath. They'll use varnish to cover them up. They'll heat the glass over alcohol burners to speed the drying..."

Arthur stood up and walked to the window, looking out over the dark harbor toward the East Cliff. Through the driving sleet, the ruins of Whitby Abbey were invisible, swallowed by the black void of the night.

"The heat opens the emulsion," Arthur whispered. "Every time a photographer in Yorkshire warms one of those plates over a flame to dry the varnish, the brine will rise out of the silver."

A sharp, metallic sound echoed from the alleyway below the window—a heavy, rhythmic clank-clank-clank that seemed to move steadily up Grape Lane, away from the harbor piers and toward the high turnpike road that led inland toward York.

Caleb stood up, his hand tightening on the iron bar. "Is it the bay?"

Arthur opened the window sash an inch. The freezing wind rushed in, extinguishing the candle instantly and filling the room with the smell of the night air.

It was not the smell of the sea.

There was no salt in the wind, no rot of kelp or deep-sea mud. The air carried the sharp, artificial reek of burning coal, iron sulfate, and warm spirit varnish—the distinct, suffocating smell of a hundred darkrooms operating at once in the dark towns across the hills.

From somewhere far down the York road, miles away in the blackness of the wolds, came a faint, hollow sound, muffled by the falling sleet.

It was the deep, resonant ring of an iron bell, striking three times in the dark.

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Terry Farland

About Terry Farland

Terry Farland writes gothic fiction set on the North Sea coast. His work draws on the photography, fishing and folklore of Yorkshire's coastal villages, and the uneasy line between what the camera records and what the sea returns. The Anchored Dead is his first novel for Tales From A Harrogate Caravan.

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