
The Anchored Dead
Chapter 8: The Desecration in the Nave
← Terry Farland / The Anchored Dead
Arthur and Caleb stepped through the ruined gateway into the shadow of Whitby Abbey. The roofless gothic nave stretched before them like the ribcage of a giant stone beast, its lancet windows framing the void of the fog-choked sky.
The chanting had stopped. In its place was a silence so absolute that the sound of their own footsteps on the damp turf sounded like thunder.
Caleb swung the lantern in a wide arc. The yellow beam cut through the mist, illuminating the base of the massive stone pillars that supported the ruined central tower.
Lying across the ancient stone altar at the far east end of the chancel was a human figure.
"Mercy of God," Caleb breathed, breaking into a run.
They reached the altar steps and halted. The man lying on the cold stone was stripped bare, his clothes piled in a sodden, muddy heap at the base of the pedestal. It was the Landed Custodian of the Abbey grounds—a reclusive scholar who had spent thirty years living in the stone lodge beside the gatehouse, preserving the ruins.
His eyes were wide open, glazed with a milky film, staring straight up into the fog. His skin was mottled blue and white, coated in a fine layer of sea salt.
Drawn in thick, heavy white chalk on the stone floor surrounding the altar was a crude, five-pointed pentagram. The lines were jagged, broken in places by wet smears where sodden feet had trampled the pigment. Painted onto the dead man’s forehead in dark, half-coagulated blood was the same five-pointed symbol.
"A ritual," Caleb whispered, leaning over the body. "The fool... he was practicing dark arts up here."
"No," Arthur said, his voice trembling as he pointed to the corner of the altar.
Standing on the flagstones beside the sacrifice was Arthur’s own wooden tripod—the one he had left locked in his lodging house in Robin Hood’s Bay hours ago. Mounted to the camera body was a light-tight plate holder, its wooden slide pulled halfway open.
Arthur stepped forward and pulled the glass negative from the slide. The glass was cracked down the center, soaked in cold brine that smelled of deep-sea trenches.
He held it up to Caleb’s lantern.
The silver nitrate film had been completely altered. The pentagram was rendered on the glass not as chalk, but as a burning, white void of silver. And standing within the chalk lines on the negative were not demons, but the twelve drowned crewmen of the Dolphin, their waterlogged hands resting on the Custodian’s shoulders.
"He didn't summon them," Arthur realized, the truth chilling him to the bone. "He found one of my discarded plates from the Bay. He thought he could use an ancient exorcism to bind them to his will—to force them to reveal where the ship's cargo lay."
"And they used his ritual to open the door," Caleb said.
From the dark, yawning archways surrounding the nave came the wet, grinding scrape of iron chains being dragged across stone.
About Terry Farland
Terry Farland writes gothic fiction set on the North Sea coast. His work draws on the photography, fishing and folklore of Yorkshire's coastal villages, and the uneasy line between what the camera records and what the sea returns. The Anchored Dead is his first novel for Tales From A Harrogate Caravan.
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