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Industry Truth 6 of 30

Subjective "Vision": The "Not For Us" Shield

Tales From A Harrogate Caravan

At a Glance

  • • Focus: The argument that "subjective vision" is used by publishers as a shield to reject work without explaining why.
  • • Includes: The "not for us" rejection, the language of taste, and how subjectivity hides the decision.
  • • Who it's for: Authors who have been rejected without being told what was wrong.
A narrow, dark tunnel leading to a dead end.

The Industry Way

They reject your work claiming it "doesn't fit their vision." It is the ultimate vague, unassailable excuse that lets them dismiss any story that doesn't fit their narrow, market-tested profit model. It isn't about the quality of your prose; it is about their limited imagination. When they say it’s not for them, what they really mean is that they don’t know how to sell it to the exact same buyers they sold to last year.

A wide, open landscape with multiple trails.

Tales From A Harrogate Caravan Way

We don't judge your "vision." We don't judge anything. Send the manuscript, we publish it.

The Full Story

The "vision" excuse is the industry’s primary risk-mitigation tactic. If an agent or publisher cannot immediately identify a path to a film deal or a bestseller list, they label it a "vision" issue. This is a failure of leadership, not a failure of your writing. It protects the status quo by ensuring that only "safe," proven concepts get through the gate. We embrace the unconventional. We don’t need a spreadsheet to tell us when a piece of writing is great, and we don't fear a story just because it hasn't been done before.

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